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To a reader of this new translation - a younger feminist perhaps, for whom the very title may seem as quaint as a pair of bloomers - I would suggest that the best way to appreciate The Second Sex is to read it in the spirit it was written: as a deep and pressing personal meditation on a true hope that, as she's going to in all probability discover, continues to be elusive for many of us: to change into, in each sense, one ’s personal girl. At the conclusion of their discuss, she writes, "I could not assist but remark to my distinguished audience that every question asked about Sartre involved his work, whereas all these requested about Beauvoir involved her private life." Yet Sartre ’s work, and specifically the existentialist notion of an opposition between a sovereign self - a subject - and an objectified Other, gave Beauvoir the conceptual scaffold for The Second Sex, whereas her life as a girl (certainly, as Sartre ’s girl) impelled her to write it. If Beauvoir has proved to be an irresistible topic for biographers, it is, partly, as a result of she and Sartre, as a pharaonic couple of incestuous deities, reigned over twentieth-century French intellectual life within the decades of its biggest ferment.

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是什么风把你吹来了,是TiMi赢了吗?
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